Masterpieces of British Literature
From Anglo-Saxon through the 18th Century
|Dr. Mark Womack||Fall 2017|
Online Office Hours:
You will submit ALL your work for this course (Stylistic Analyses, Critical Essay, and Final Exam) online through Blackboard.
This site contains all course materials — including this syllabus, assignment sheets, handouts, and so forth.
Since this is a distance learning course, we will have no face-to-face classroom meetings. Instead, you can listen to the class lectures online at slow-reading.com/britlit-one. One great advantage of this format is that you can listen to the lectures at your own pace; one potential disadvantage is that it it very easy to fall behind. (See suggested schedule below.)
If you have questions, you can email me: email@example.com. (Don’t rely on the BlackBoard email system to contact me.) I will also hold virtual office hours on Skype or Google Hangouts by appointment. (My Skype username is drmarkwomack; my Hangouts username is my email address). In addition, I will monitor and occasionally post on the BlackBoard Discussion Forums.
This course will introduce you to major works of British literature from the Anglo-Saxon period through the 18th century. We will study these literary texts as literary texts — works of verbal art designed to delight readers and auditors — not primarily as historical documents. We will spend virtually all our time analyzing specific passages in great detail, thinking about how the text in front of us works on our minds and ears as we read it. This course will thus provide an opportunity to learn how to read literature closely and to write about it with precision and clarity.
Although not organized around any particular themes, the course will grapple with two critical questions: 1) “Why have these works persisted in our culture for so long?” and 2) “How do these writers manipulate the resources of language to shape our experience as readers?” As you will see, I believe these questions about canon formation and about literary form are inseparably related.
The Norton Anthology
of English Literature: Volume 1
You may use ANY well-annotated edition of Hamlet for the class.
You will write ten short Stylistic Analyses of texts discussed in class and one Critical Essays: either comparing translations of Beowulf, or analyzing a Renaissance sonnet. You will also take a comprehensive Final Exam. All the material for the final will come directly from readings and lectures. Failure to complete any assignment may result in a failing grade for the course. You will submit all your work (analyses, essay, and final exam) online through Blackboard. Assignments not submitted on time will receive a zero. I never assign extra credit or make-up work. I discuss grades only in private, and only forty-eight hours (at least) after I have returned an assignment.
Throughout the semester, you will write ten brief analyses (about 300 words each) of specific stylistic choices in the works covered in class. For each analysis, you should pick a few lines from one of the assigned texts, then focus on a particular linguistic detail in them (a surprising word choice, an arresting metaphor, a complex allusion, a striking use of enjambment), and offer your insights into what that specific stylistic nuance does for a reader.
Everything you say in your analysis should relate directly to the actual words of the text. Don’t get sidetracked; stick with the words. Think about how the author has shaped and arranged the language. I am looking for fine-grained analysis, not mushy generalizations.
Post your Stylistic Analyses in the Journal component of Blackboard. Please DO NOT submit your analyses as attached files. The final deadline for all analyses is December 1. But I encourage you not to wait till the last minute to submit them.
You will find detailed assignment sheets for the Critical Essay on the main website. You have a choice of two topics — Topic 1: Compare Two Translations of Beowulf or Topic 2: Analyze a Renaissance Sonnet. I will also discuss the essay assignments in detail during class lectures.
- Find the submission link on the main Blackboard page. (Use only the Blackboard links; do not use the TurnItIn web site.)
- Click the View/Complete link for the assignment.
- Enter your Name from the drop-down Author menu.
- Enter a Title for your paper.
- Click the “Browse” button.
- Find the document file on your computer and click “Open.”
- Click the “Upload” button.
- Review the file and click on the “Submit” button.
The final will be an essay exam: you will answer four questions, writing short essay answers for each of them. For each question, you will have a choice of topics to write on.
The final will be available on Blackboard all day on Saturday, December 9. You will have three hours to complete the exam. On the honor system, you may use your text books during the exam but no other materials.
|Numerical Values of Letter Grades|
|A+ (100–97)||A (96–93)||A- (92–90)|
|B+ (89–87)||B (86–83)||B- (82–80)|
|C+ (79–77)||C (76–73)||C- (72–70)|
Schedule of Lectures, Readings & Assignments
|M 8/21||First Day Lecture: a review of instructions, policies, & syllabus|
|W 8/23||Beowulf (lines 1–1650)|
|F 8/25||Beowulf (lines 1650–3182)|
|M 8/28||Sir Gawain and the Green Knight, Fitts 1 & 2|
|W 8/30||Sir Gawain and the Green Knight, Fitts 3 & 4|
|F 9/1||The Canterbury Tales, “General Prologue” (lines 1–446)|
|M 9/4||Labor Day|
|W 9/6||The Canterbury Tales, “General Prologue” (lines 446–860)|
|F 9/8||“Miller’s Prologue & Tale”|
|M 9/11||“Wife of Bath’s Prologue & Tale”|
|W 9/13||“Pardoner’s Prologue & Tale”|
|F 9/15||Wyatt & Surrey, selected poems*|
|M 9/18||Astrophil and Stella, sonnets 1–56|
|W 9/20||Astrophil and Stella, sonnets 61–108|
|F 9/22||The Faerie Queene 1.1
[The Redcrosse Knight vs Error]
|M 9/25||The Faerie Queene 1.9.21–54
[The Redcrosse Knight & Despair]
|W 9/27||The Faerie Queene 2.12
[The Bower of Bliss]
|F 9/29||The Faerie Queene 3.6
[The Garden of Adonis]
|M 10/2||The Faerie Queene 3.12
[The Masque of Cupid]
|W 10/4||Doctor Faustus, Prologue–scene 6|
|F 10/6||Doctor Faustus, Chorus 2–Epilogue|
|M 10/9||Shakespeare’s Sonnets
(1, 3, 12, 15, 18, 20, 29, 30, 33, 60, 71)
|W 10/11||Shakespeare’s Sonnets
(73, 94, 116, 127, 129, 130, 138, 144, 146, 147, 152)
|F 10/13||Hamlet, Act 1|
|M 10/16||Hamlet, Act 2|
|W 10/18||Hamlet, Act 3|
|F 10/20||Hamlet, Act 4|
|M 10/23||Hamlet, Act 5|
|W 10/25||John Donne, love poems*|
|F 10/28||John Donne, religious verse*|
|M 10/30||Paradise Lost, book 1|
|T 10/31||Last day to drop a course or withdraw with a “W.”|
|W 11/1||Paradise Lost, book 2|
|F 11/3||Paradise Lost, book 3|
|M 11/6||Paradise Lost, book 4|
|W 11/8||Paradise Lost, book 5 & book 8: lines 250–653|
|F 11/10||Paradise Lost, book 9|
|M 11/13||Paradise Lost, book 10: lines 1–228, 414–584, 720–1104
& book 12: lines 466–649
|W 11/15||An Essay on Criticism Part 2, lines 337–83
The Rape of the Lock
|F 11/17||Final Deadline for Critical Essay|
|M 11/20||Rochester, selected poems*|
|W 11/22||Thanksgiving Holiday|
|M 11/27||Gulliver’s Travels, Part 1
[A Voyage to Lilliput]
|W 11/29||Gulliver’s Travels, Part 4
[A Voyage to the Country of the Houyhnhnms]
|F 12/1||Final Deadline for Stylistic Analyses|
|M 6/5||First Day Lecture: a review of instructions, policies, and schedule|
|W 6/7||Sir Gawain and the Green Knight|
|Th 6/8||The Canterbury Tales, “General Prologue”|
|F 6/9|| “Miller’s Prologue & Tale”
“Wife of Bath’s Prologue & Tale”
|M 6/12||“Pardoner’s Prologue & Tale”
Wyatt & Surrey, selected poems*
|T 6/13||Astrophil and Stella|
|W 6/14||The Faerie Queene, 1.1 & 1.9.21–54
[The Redcrosse Knight vs Error & The Redcrosse Knight and Despair]
|Th 6/15||The Faerie Queene, 2.12
[The Bower of Bliss]
|F 6/16|| The Faerie Queene, 3.6 & 3.12
[The Garden of Adonis & The Masque of Cupid]
|M 6/19||Doctor Faustus|
|T 6/20||Shakespeare’s Sonnets 1, 3, 12, 15, 18, 20, 29, 30, 33, 60, 71
73, 94, 116, 127, 129, 130, 138, 144, 146, 147, 152
|W 6/21||Hamlet, acts 1 & 2|
|Th 6/22||Hamlet, acts 3 & 4|
|F 6/23||Hamlet, act 5|
|M 6/26||John Donne, selected poems*|
|T 6/27||Paradise Lost, books 1 & 2
Last day to drop a course or withdraw with a “W.”
|W 6/28||Paradise Lost, books 3 & 4|
|Th 6/29||Paradise Lost, book 5, book 8 (250–653) & book 9|
|F 6/30|| Paradise Lost, books 10 (1–228, 414–584, 720–1104 ) & 12 (466–649)
An Essay on Criticism Part 2, (337–83) & The Rape of the Lock
|S 7/1||Final Deadline for Critical Essay|
|M 7/3||Gulliver’s Travels, Parts 1 & 4
Final Deadline for Stylistic Analyses
|T 7/4||Independence Day|
|W 7/5||Final Exams|
|Saturday 12/9||The final will be available on Blackboard all day on December 9. You will have three hours to complete the exam. On the honor system, you may use your text books during the exam but no other materials.|
|Wyatt||“The long love that in my thought doth harbor,” “Whoso list to hunt,” “Farewell, Love,” “I find no peace,” “My galley,” “Divers doth use,” “They flee from me,” & “The Lover Showeth How He Is Forsaken of Such as He Sometime Enjoyed”|
|Surrey||“The soote season,” “Love, that doth reign and live within my thought,” “Alas! so all things now do hold their peace,” “Th’Assyrian king, in peace with foul desire,” & from The Fourth Book of Virgil [Dido in Love]|
|Donne|| Love Poems: “The Flea,” “The Good-Morrow,” “The Canonization,” “A Valediction: Forbidding Mourning,” “The Relic,” & “Elegy 19, To His Mistress Going to Bed”
Religious Verse: Holy Sonnets, “Good Friday, 1613, Riding Westward,” & “A Hymn to God the Father”
|Rochester||“The Disabled Debauchee,” “The Imperfect Enjoyment,” “Upon Nothing,” & “A Satire against Reason and Mankind”|
I strongly encourage every student to complete the course, but I recognize that occasionally a student may need to withdraw, especially for non-academic reasons. Please bear in mind that it is your responsibility to fill out and turn in the necessary forms in order to withdraw formally from the course.
According to university policy, if you wish to withdraw from the course you must do so by the “Last Day to Drop a Course” on the official academic calendar.
If you have not withdrawn by then you will receive a grade for the course. Current university policy dictates that students who fail to submit their required work and do not qualify for an Incomplete will receive a failing grade for the course.
Last Day to Drop a Course: October 31
Policy on Incomplete Grades
The grade of “I” (Incomplete) is a conditional and temporary grade given when students are passing a course or still have a reasonable chance of passing in the judgment of the instructor but, for non-academic reasons beyond their control, have not completed a relatively small part of all requirements. Students are responsible for informing the instructor immediately of the reasons for not submitting an assignment on time or not taking an examination. Students must contact the instructor to make arrangements to complete the course requirements.
An Incomplete is granted only if (a) the student has sufficient non-academic reason for not completing the coursework within the term allotted; (b) the student has already completed a substantial portion of the coursework; and (c) the student requests a grade of Incomplete before the date of the Final Examination. Students who receive an Incomplete grade must complete all the course requirements by a deadline set by the instructor. If the student fails to submit the work on time, the grade will be changed to reflect the work completed in the course. Bear in mind that a grade of “I” automatically changes to “F” at the end of a calendar year if the student has not fulfilled all course requirements by then.
Final Exam Date: December 9
Your instructor, Mark Womack, reserves the right to amend any policies listed here with sufficient written notice.