Iambic Pentameter
pentameter: five feet
foot: one stressed syllable plus one or more unstressed syllables in a repeating pattern
iambic: an unstressed syllable followed by a stressed syllable: ˘ ´
Iambic Words
| ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ |
| belief | arise | defend | prepare | conceive |
Iambic Pentameter Lines
We mourn in black, why mourn we not in blood? (1 Henry VI 1.1.17)
| ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ |
| We mourn | in black | why mourn | we not | in blood? |
My child is yet a stranger in the world. (Romeo & Juliet 1.2.8)
| ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ |
| My child | is yet | a strang | er in | the world |
But soft, methinks I scent the morning air. (Hamlet 1.5.58)
| ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ |
| But soft, | methinks | I scent | the morn | ing air |
Two Common Iambic Variations
Feminine Ending: The line ends with an extra, unstressed syllable.
Or say ’tis not your seal, not your invention (Twelfth Night 5.1.327)
| ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ ˘ |
| Or say | ’tis not | your seal, | not your | invention |
In night and on the court and guard of safety (Othello 2.3.205)
| ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ ˘ |
| In night | and on | the court | and guard | of safety |
Initial Stressed Syllable: The line begins with a single, stressed syllable followed by an anapestic foot (two unstressed syllables followed by one stressed syllable: ˘ ˘ ´).
Now is the winter of our discontent (Richard III 1.1.1)
| ´ | ˘ ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ |
| Now | is the win | ter of | our dis | content |
Veiling an Indian beauty; in a word, (The Merchant of Venice 3.2.99)
| ´ | ˘ ˘ ´ | ˘ ´ | ˘ ´ | ˘ ´ |
| Veil | ing an In | dian beau | ty; in | a word, |